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Detail of Moriyama Daidô,
Tomei Expressway, ca. 1968.

This photograph appears in full (with
extended citation) in Bert Winther-Tamaki's essay in the current issue of Octopus (see "Traffic Patterns in Modern Japanese Art").

Vol. 3 contributors >>>

editorial information

volume 3: fall 2007 ("import/export")
volume 2: fall 2006 ("the dark")
volume 1: fall 2005 ("synaesthesia")

A small history of the journal can be found here.

Please join the mailing list for information about future publications, calls for papers, and calls for artwork.

We also welcome any comments and questions you have about the journal, this site and/or the print version. With publication planned for each Fall, we anticipate a regular submissions deadline of March or April. And if you like the journal, please consider subscribing!

Advisory board

Eyal Amiran, University of California, Irvine
Jonathan Hall, University of California, Irvine
James D. Herbert, University of California, Irvine
Victoria E. Johnson, University of California, Irvine
Peter Krapp, University of California, Irvine
Bliss Cua Lim, University of California, Irvine
Akira Mizuta Lippit, University of Southern California
Catherine Liu, University of California, Irvine
Felicity D. Scott, Columbia University
Sally A. Stein, University of California, Irvine
Cécile Whiting, University of California, Irvine
Bert Winther-Tamaki, University of California, Irvine

© 2007 Octopus all rights reserved. No part of this text may be reprinted or disseminated beyond personal use without permission from the copyright holder. ISSN 1559-016x/1559-0178.

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